Year: 2019

Letterboxd — Feature Concepts Reel

Feature and redesign concepts for the film network This is an old look at one of my first ever case studies. A newer (but still not very good/thoughtful) version of it lives on my site, at chia.dev In 2019, I found myself increasingly drawn towards film, and was lucky enough to be surrounded by people who I could share this love with. One of my new favorite sites is definitely Letterboxd, a film-focused social networking service. First introduced to it from film Twitter circles by seeing joke reviews highlighted on Oscar-nominated masterpieces, the sense of community it offered finally drew me onto the platform knowing it wouldn’t solely be traditional film buffs. Letterboxd has been an amazing tool that has moved me to be more introspective about the film I consume, but it took a while for me to fully get into it, and the more that I use it — the more I’ve been thinking about ways to improve some of its features.The following is a survey of some of the main frustrations on the web version …

ending 2019

Good afternoon. Every year I feel this immense wave of anxiety when I realize that the year is starting over again. These timepieces are so important for me, forcing reflection when other times it’s difficult or even something I abandon completely. I am hoping all the people I love are surrounded by love and the right people and thoughts that bring them fulfillment. Our lives are getting notably shorter and shorter, not only because of time but the state of the world we’re all in. Even if things are fleeting, I’m glad to be here for whatever time I have. Here are some promises and reflection.

A Defining Decade: Chia’s Top 100 Songs of the 2010s

Maybe you’ve read the Pitchfork or Stereogum lists thinking about how to encapsulate the way music transforms and shifts you; trying to figure out how it does so for others, figuring out what has moved you and what also excels technically. Lists are kind of shitty, and we can debate over patterns: why technicality and trends are at times praised over genuinely, or what truly defines influence in circles that are so secluded. In the end, there’s a common love and struggle in putting into words these inexplicable things that as easily divide as they unite us. There’s no reason to value my list. What I can offer however, is another take after seeing these 200 song-long collective curations–having lived this decade through music and records that were essentially formative. I sometimes recall the moment I was transformed and had found my first outlet in music in a summer in the Philippines, back in middle school, listening to America’s Suitehearts off Fall Out Boy’s Folie à Deux for the first time (when I got more …