Category: journal

personal drabbles, what would be my journal ?

On Ceilings

Reading Time: 9 minutes

I now understand that I’m in the very fortunate position of life where I can choose how high I want to go and end it at my choosing.

For a long while, I was frustrated that this route never seemed to get any easier. Before college I played the predictable game of my lackluster high school’s education system and won it. I left the country for Yale University with everyone thinking that I had made it while I had never been more anxious. For the past four years, I suffocated myself in in-betweens, destroying my body working insane hours to overcompensate from being detached from my home country. I was fueled, toxically yet steadily, by resentment for injustice: anything from this new life I was living I would bring back home. Then I learned, as I always do, to acclimate quickly to the conditions of American success while discarding pleasantries and experiences that I thought were useless. I swiped into my university dining hall about fourteen times total throughout my entire first year. After stumbling around startup & student VC circles, collectives working towards ill-defined definitions of intersectional justice, friendly circles of creators I had never met, and alone, for myself, in basements states away for music shows of tiny bands, I suddenly could become myself again. I lived in a shady Airbnb for a month at the beginning of my senior year where every night the man residing there would bang at my door in the middle of the night and flew to Chicago for a music festival to come back and learn that half my belongings were stolen, and all the belongings left at Yale in the year prior were somehow lost—nearly all of what I had, because I had little left in the Philippines—and hopped into an overpriced studio later in the month. It was frantic and misshapen, but I was in the position to ghost a Facebook recruiter after receiving an offer to work at a company I felt more ethically aligned with instead (even if it was imperfect), and had too much faith placed in me by professors who knew that I was doing great things despite never attending class. I speak about this too much and it’s hard to articulate until it happens to you, but being truthful and myself after a certain degree made it significantly easier to build the life I had wanted; what I had needed came to me with more clarity, the right people and experiences became self-selecting. Then I took a break at the start of 2022, my last semester of college where I took seven credits to graduate, and fit four years of experiences into a semester and the summer after that—until my lease expired. I filled 350 square feet with CDs and cassettes and objects of my making that reflected what I had loved in futile attempt to recover all that I lost, even if all its meaning was denounced when I couldn’t give interesting stories behind each one without a timepiece. After forgetting nearly everything about how I’ve grown up, in the middle of empty conversations my head rushes back to something small I experienced when I was younger. All my good memories are ones that I’ve made for myself. I haven’t stepped back in the Philippines in three years now.

In the middle of all this I’ve felt rushes of feeling this world was mine, because I was free and capable and independent, and then deep senses of purposelessness. I think purpose is of course, defined only by ourselves, and perhaps the hardest thing to seek — for those who can’t live life without it, like me. All this life was about other people and I had no one; and most of the time all this pro-bono work was killing me and getting me closer only to loose abstractions of care. I cried when I realized that I had no one to put as my emergency contact number, and when someone told me that I had no support system, which I still think about heavily until this day. I work a dream job and I’m not sure who it’s for. Many things I’ve wanted to do, mostly ones that relate to other people, never made it. Many things I made were built in a night. Many times I was never present, and whenever I was I never regretted it because I learned to easily walk away from things. All this glory that I was working towards was to serve some abstract ideal of myself that no one but myself was expecting. I think life is generally meaningless, still, and this independence is most freeing because I can choose to end it myself any day.

I also left for California in a rush and had friends who packed the remains of my room for days and nights. Now I live in another overpriced loft where I can’t reach the ceiling or the cabinets above my fridge.

At this point I’m thinking about ceilings. I’m thinking about how I can, again, climb and strain myself for the next tier — but am already living in a dream state. The problem about larger dreaming is that it is divorced from the people around you. Our floors here all relate to financial positioning, or movement to a dream location, or maybe most agreeably, what we spend our weekdays on. Many of these life decisions are improvements of the self and your direct family when we send paychecks back home, but few move you towards systems of communal care outside the structure of the nuclear family. I can temporarily believe in success built across our networks from distance, but I’ve worked these past years knowing nothing is the same as dedicating time to a community and building something from the ground up.

Everything beautiful in my life was a moment of my making, and the most beautiful were moments I made with friends. Many of these things were building experiences out of nothing, spaces for ourselves in areas of dearth.

After settling into this new life, I feel like I will be soon in a position to choose a ceiling within the commitments that we’re bound by in society; especially ones that my student visa here restricts me to. Whatever leveling in a company I choose to go for, I’m sure I can eventually work my ass off and reach, in an institution that aligns with my larger goal of making creation ubiquitous. This is not saying I’ll half-ass my work; I think design and computing, which might seem very contrary to the goals of closing distance and being face-to-face with people, can be reclaimed as purposeful agents to construct this ideal world. Again, there’s the tactic of rerouting and the preservation of my mental energy outside of work hours to build larger structures of care: ones more pertinent to the people I love, ones that will outlast me so greatly that I will make them and find myself no longer necessary. Creating systems that empower the people I love to continue building those systems is of main interest to me, amongst other things I want to do.

I can choose these ceilings because I’ve somehow fallen into a life that has shown me what distance and space mean; when they can be rendered relevant or irrelevant and how to do it. I’ve looked at so many and remember only the contours of the ceilings within the rooms I grew up in more than I do the colors of the walls, because it was likely the thing I looked at most with the computer screen second. In sterile environments I found spaces where people could come together, learn; I think the most purposeful extensions of myself I can build are the ones I put into what I create — because I’m reclusive and less often get to the part of knowing someone where they can read all this about me. I love the computer and design because it gave me freedom and agency, I love the suffering I’ve embedded myself in because it taught me how to radically retreat from repressive spaces — together, the tools to reshape them.

When I was in middle school I ripped out grid pages from our math notebooks, folded them and tore them apart, and constructed little cities made out of buildings and roads and mansions with fountains and farms. We colored and highlighted the houses and reassembled them, making up town names with every iteration and sometimes using pens & pencils as people going about their lives. I kept them all in a plastic envelope until it was so bulky that it would no longer close, so we divided the little grid buildings amongst ourselves. Tiny blueprints for a life.

I believe in other simple things: that because I’m 8,000 miles away from the people I love and have met so many wonderful people I truly care for that I unfortunately haven’t met in real life, systems of communication for when we are far apart matter just as much as the ways we convene in-person. I think the debate of authenticity and the duality of the online vs. offline self is skewed by people who have had overwhelmingly performative experiences with technology, which I cannot blame them for because technology must be reclaimed, for growing up it was only online that I began to discover myself and therefore know myself. It was seeds I learned from online networks of people who were open (maybe a bit too much) that enabled me to shift, for a moment, the way people around me thought. If we can design interfaces to be truthful & expressive, create spaces of our own so that we can begin interacting on these platforms with good faith, we could one day become no different from seeing our refracted, opposing self in a mirror. I believe in the computer because most of these ideas and revelations I have no one to tell, so I tell it to it, and it tells my story to someone else who finds this one day. All these ways I’ve preserved myself are under my control. My way of living this life splayed out open and visible is a nod to all the lives I read about that had formed me as I was growing up; I know there are others who choose to write and share this way, as their life’s default, and I continue it all because there are more ways than one to give yourself to others. What I choose to build is the essence of myself, and the essence of technology, like art and magic, is a promise of what we would like to see in the world. The story of screens is my story, at least a part of it, but certainly will be a huge part of how I am remembered. If I’m a redeemable object, so are the tools I use and extend to others.

Even if I lacked the luck of landing into technology in the ‘right way’ in a time where everything is tending towards it, my trait of obsessiveness and unapologetically leaning into that — whether there is some measurable or predictable or not, would carry me. Most of the people I admire very deeply share this same quality. This might be part of defining that ambiguous thing of purpose: what I care about is who I am, and because I care about it there is meaning towards it, especially if I guide this care and obsessiveness to the goal of improving the wellbeing of others.

The current goal is to find what is an appropriate ceiling to work towards and to immerse myself in local communities again. Living for local structures of care and building smaller, purposeful tools is important: while I believe in abundance, too many things are extended and scaled to the point of disconnection. Nihilism and isolation, which are clear things plaguing me from my writing and just reading me for a minute, are symptoms not just of the self but are pervasive byproducts from the world today. This is why the ceilings I was told to go for were individualistic, capital-oriented. A lot of this struggle is structural. It should not have been as hard as it was for me; much of the journey was an individual one.

One brick after another. A brick tossed. I’m laying the world I wanted, as I always have. I’m struggling with my imaginary against the complex interweaving of lives within insecure systems that my loved ones are stuck within. I’m imagining more than the ceiling, perhaps. Every space I’m in from now on, an open one; just as I built my life in this realm.

Work towards resilient, communal community structures and resources is radical and often disenfranchised by higher authorities. It’s also more interesting, unpredictable, and interconnected. Community fridges in the Philippines are often shut down and grassroots collectives often depowered & deplatformed for the highers’ fears of their resistance and criticism. Systems of care are fragile and fragmented; they are what truly need investment and maintenance. We live in spaces that discourage organizing and disconnect us so we cannot band together.
The corporate ladder, compared to longstanding cultural & community work–is a farce. It is the easy route, in truth. One is a newly-built monolith constantly destroying itself to sustain this goodness for a few; the other is how society has been sustained for thousands of years. It is easy to build a ‘good’ life for yourself. It’s much harder to build an interconnected one: a life that all the people you love can build towards together and find themselves around. It is simultaneously the easiest and most difficult thing to extend joy. There’s an in-between to all of this that doesn’t retreat to the “move to the middle of nowhere and start a coffee shop narrative”; this is where the random love letter to computing in the midst of the love letter to all else in life came in. I want the wonder in every moment I’ve made to be extended outwards, as the things of my own making have made myself. Why would I spend a single second working in a system I didn’t believe in? Why spend a moment working towards a structure that doesn’t serve the life you want to live and the people who you’d like to have in that life? How are you going to teach the people you love to continue building the world you wanted for them?

Without our choosing, we’re all subject to the ceilings that someone else has laid before us. All before me was all of humanity. All that I resent, desire, all that I am driven to move towards and change; reducible to human confluence and crossings and all our evolving self. The foundations and highs of the world I am in have been (not entirely, but close enough) worked at by man, and I suppose I can continue the act…

Stepping back, maybe it really doesn’t get easier. I find comfort in purpose. I want the challenge of building something beautiful and interconnected and extensible across the continents I have found home and love in. I used to say I wanted consistency and systems, and realize that this is the way of solving that. I want a home with a ceiling as high as we have collectively chosen, welcoming all the old and new and all who have yet to come under it.


this was written in one sitting and not proofread

October Blog Post

Reading Time: 3 minutes

Accept there are no more happy stories I can tell at this point.

  • I’ve moved to San Francisco and there is now a roof over my head. The late afternoon sunlight falls so serenely on the walls here… blanketing it in color with softness I thought I would never see again. On the way to Pier 80 last weekend I watched my shadow rise and fall on the wall of a warehouse, I saw the sky so pink and helpless.

    I’m resting against an enveloping warmth and this time only holding myself, and this time all I ever needed was to hold myself. When I cannot see the source of something, it might just be coming from me.
    • The sun colors the most mundane buildings in a most sacred way here.
      But is anything here abandoned, truly?
  • To obscure tenderness and neediness is the weakest thing we can do. I owe all of myself and all my being to another, for others to support me (as much as I hate that I want this) and for all my life to support humanity. If no one holds me I can hold them. If no one holds onto this world I can press it together.
Image
  • Looking at myself, I wish I had more good things to tell my friends. I always seem like I’m dying. Might as well…
  • For the next two weeks I’m engaging in the practice of drinking water to feel full.
  • At the end of the world, there was only me.
  • Thinking about many beautiful things that I want to make and follow-up on that I can’t really do right now… people, places, experiences, things from my own hands—when I can’t even take something from this body and put it out there I just end up withering. I sit at this desk to work for hours and I stand and my vision goes so white I almost black out.
  • When people build systems or structures to support more than themselves, to outlast themselves, to say: every brick you walk over I have tried to place, and every brick you might walk over next I directed them all; to say: I trust that this architecture be carried over by someone who might love you better; to say: I recognize all before that has brought us here from every tool that I lay down and every path you have chosen; to say: this is an extension of how I might carry you in this world. To say: this is a world I have loved for you, because I love you.
  • But is wording care and love this way too abstract and distant? In the way that the words seem empty and meaningless and you want to hear some more direct truths: I’ll spend time with you, I’ll do this with you this frequently. We like that more than I love you that has become an empty word. I for one, love empty promises. I love the ghosts of all the passing, and maybe even earnest, declarations of care that have never been followed through. I think every failure of humanity is poignant. I think what we haven’t followed through speaks more to ourselves than what we’ve made. In a life of millions of possibilities, what you’ve abandoned gives more context to you than what you have gone through.
  • This year I am again spending December alone—which I’ve done since 2019…
  • I outlive so many things,
  • so many things are going to outlive me.
  • Resenting so many things again about this body, about this life I have chosen, about all that I do that does not give enough to the world that it exists in.
  • So can I make something of my own and live in it?

Some things lately

Reading Time: 5 minutes

Where

I am always somewhere on the internet. I’m off Twitter for a bit and it’s actually kind of worse without it — I wasn’t taking it too seriously, liked a space to share thoughts and build upon it. I am still on Instagram where I also don’t really care and am sharing stuff every now and then.

I shared my kind of chaotic blog that essentials acts as the substitute for random thoughts, but am not sure if I should have made it that public.

Offline, I’m moving to San Francisco soon and am dealing with all the delusions I put on myself over the past year: that I would spend this summer working a million jobs (I didn’t and intentionally didn’t go for my work authorization until the last possible moment) or that rest would teach me new things (it really didn’t, which I distinguish from the practice of ‘conscious listening’ that I’ve been doing ever since leaning more into sound—I suppose I am someone who finds solace in making something for myself). Now I feel kind of unsettled with the lack of time I have here and guilty.

I spent the past two weekends at a cabin, then in New York, then here in my apartment alone. I will miss it so much. And I need to get rid of everything that I’ve touched. And I have a hard time parting with material things, especially when this is the first time I’ve learned to imbue so much of myself into physical space — which was important for me to feel like I can be connected with the world and what becomes of it.

I move to San Francisco on the 17th. I leave behind most of the people I know here, and all the people I have yet to meet. Most of my major life events are uneventful if not sad. I should be saying goodbye to the people I’ve encountered by proximity and wish to keep for longer, but I feel weird and no longer welcome and unnecessary. It’s the constant self-fulfilling prophecy of not reaching out and never being seen. It doesn’t hurt as much anymore though, kind of just living with it. It’s hard to reach for my phone or engage with people. I’m mostly keeping to myself these next weeks.

chia.design

chia.design

I took care of https://chia.design/ and have been starting to make a massive archive of my work. There’s a weird gap between 2013–2016 so far. Hmm. I don’t really know what I was doing then.

I like prolific portfolios and seeing quantity. We often talk about the adage of the ceramics class where the students who produce a hundred pots ended up with better work than those students required to produce one ‘perfect’ pot. I never liked portfolios that showed only polished highlights, in the same way that we never only like the polished highlights of a person. On paper, this will probably suck at me getting jobs — which is the intention of the website (though it kind of conflicts with http://ifyouknewmewouldyoulove.me/ rn, which I’ll fix to be more experimental and a collection of only ‘artsy’ pieces later). But most of my scrappy, smaller jobs and opportunities mentioned that they liked how much I’ve done. I even forego a lot of the impressive metrics in this, such as the gathering projects with Developh that took months of planning and congregated many. There’s still a lot more work to document and archive. Funnily enough, I learned that I was better at keeping record of my work in high school when I was designing for student councils and organizations than at Yale — where I’ve lost half of the work I’ve done and constantly spoke of how my high school had better extracurricular systems.

‘Gathering’ is a new word I settled on that I feel describes the work I do well. It was one of my wishes to take graduate-level ‘On Gathering‘ class in my last Spring 2022 semester, but I was taking seven classes in order to graduate (where the normal is 4–5, and I had to petition vigorously) and knew I wouldn’t really be able to be fully present and wouldn’t make much of it. All I want to do, I write, is to gather the people I love in one place.

patreon.com/hotemogf

Patreon

I started a Patreon now that I’m legally allowed to do it. I had it set up for a long time and figured why not just publish it now. I think my output is consistent enough where it might be interesting to share, though I’m not expecting much from it. I’m planning to be most consistent with updates on research interests, talks, and projects there; as well as to solicit feedback and advice on what to prioritize since I have so much I want to build—and do tend to build it all.

Check out my Patreon here: https://www.patreon.com/hotemogf

If you do choose to support, the hobbies I’ve engaged in over the past year have made me accrue a lot of trinkets from prints, keychains, cassette tapes (mostly mixes, field recordings… very 1/1 stuff), and stickers that I’ve handmade that I’d love to spread around the world.

Projects

I’m going to do more comprehensive writeups on these soon that I’ll try to publish on Patreon, but here are some things I’ve done lately:

  • https://philippinecassettearchive.com/
  • I am making a gardening idle.
  • https://maybe.press/
  • I’ve been using up all my cassettes. The hiss from my shoebox recorder is unbearable.
  • There was a piece about love that I was writing and then suddenly stopped because I felt weird and alone and then wrote all those sad things. I will get back to it soon.
  • Developh is restarting programming, and I’ve been idly re-connecting, fixing institutional things, etc.
  • I’m writing a series of talks for Developh with these topics that will come soon:

More people than usual have reached out in the past weeks… I’ve always been bad at getting back, mostly because I feel unworthy of anything. I’ve been feeling especially gloomy but I will try to get back soon amidst selling and moving. Thank you for remembering me.