On Ceilings

Reading Time: 9 minutes

I now understand that I’m in the very fortunate position of life where I can choose how high I want to go and end it at my choosing.

For a long while, I was frustrated that this route never seemed to get any easier. Before college I played the predictable game of my lackluster high school’s education system and won it. I left the country for Yale University with everyone thinking that I had made it while I had never been more anxious. For the past four years, I suffocated myself in in-betweens, destroying my body working insane hours to overcompensate from being detached from my home country. I was fueled, toxically yet steadily, by resentment for injustice: anything from this new life I was living I would bring back home. Then I learned, as I always do, to acclimate quickly to the conditions of American success while discarding pleasantries and experiences that I thought were useless. I swiped into my university dining hall about fourteen times total throughout my entire first year. After stumbling around startup & student VC circles, collectives working towards ill-defined definitions of intersectional justice, friendly circles of creators I had never met, and alone, for myself, in basements states away for music shows of tiny bands, I suddenly could become myself again. I lived in a shady Airbnb for a month at the beginning of my senior year where every night the man residing there would bang at my door in the middle of the night and flew to Chicago for a music festival to come back and learn that half my belongings were stolen, and all the belongings left at Yale in the year prior were somehow lost—nearly all of what I had, because I had little left in the Philippines—and hopped into an overpriced studio later in the month. It was frantic and misshapen, but I was in the position to ghost a Facebook recruiter after receiving an offer to work at a company I felt more ethically aligned with instead (even if it was imperfect), and had too much faith placed in me by professors who knew that I was doing great things despite never attending class. I speak about this too much and it’s hard to articulate until it happens to you, but being truthful and myself after a certain degree made it significantly easier to build the life I had wanted; what I had needed came to me with more clarity, the right people and experiences became self-selecting. Then I took a break at the start of 2022, my last semester of college where I took seven credits to graduate, and fit four years of experiences into a semester and the summer after that—until my lease expired. I filled 350 square feet with CDs and cassettes and objects of my making that reflected what I had loved in futile attempt to recover all that I lost, even if all its meaning was denounced when I couldn’t give interesting stories behind each one without a timepiece. After forgetting nearly everything about how I’ve grown up, in the middle of empty conversations my head rushes back to something small I experienced when I was younger. All my good memories are ones that I’ve made for myself. I haven’t stepped back in the Philippines in three years now.

In the middle of all this I’ve felt rushes of feeling this world was mine, because I was free and capable and independent, and then deep senses of purposelessness. I think purpose is of course, defined only by ourselves, and perhaps the hardest thing to seek — for those who can’t live life without it, like me. All this life was about other people and I had no one; and most of the time all this pro-bono work was killing me and getting me closer only to loose abstractions of care. I cried when I realized that I had no one to put as my emergency contact number, and when someone told me that I had no support system, which I still think about heavily until this day. I work a dream job and I’m not sure who it’s for. Many things I’ve wanted to do, mostly ones that relate to other people, never made it. Many things I made were built in a night. Many times I was never present, and whenever I was I never regretted it because I learned to easily walk away from things. All this glory that I was working towards was to serve some abstract ideal of myself that no one but myself was expecting. I think life is generally meaningless, still, and this independence is most freeing because I can choose to end it myself any day.

I also left for California in a rush and had friends who packed the remains of my room for days and nights. Now I live in another overpriced loft where I can’t reach the ceiling or the cabinets above my fridge.

At this point I’m thinking about ceilings. I’m thinking about how I can, again, climb and strain myself for the next tier — but am already living in a dream state. The problem about larger dreaming is that it is divorced from the people around you. Our floors here all relate to financial positioning, or movement to a dream location, or maybe most agreeably, what we spend our weekdays on. Many of these life decisions are improvements of the self and your direct family when we send paychecks back home, but few move you towards systems of communal care outside the structure of the nuclear family. I can temporarily believe in success built across our networks from distance, but I’ve worked these past years knowing nothing is the same as dedicating time to a community and building something from the ground up.

Everything beautiful in my life was a moment of my making, and the most beautiful were moments I made with friends. Many of these things were building experiences out of nothing, spaces for ourselves in areas of dearth.

After settling into this new life, I feel like I will be soon in a position to choose a ceiling within the commitments that we’re bound by in society; especially ones that my student visa here restricts me to. Whatever leveling in a company I choose to go for, I’m sure I can eventually work my ass off and reach, in an institution that aligns with my larger goal of making creation ubiquitous. This is not saying I’ll half-ass my work; I think design and computing, which might seem very contrary to the goals of closing distance and being face-to-face with people, can be reclaimed as purposeful agents to construct this ideal world. Again, there’s the tactic of rerouting and the preservation of my mental energy outside of work hours to build larger structures of care: ones more pertinent to the people I love, ones that will outlast me so greatly that I will make them and find myself no longer necessary. Creating systems that empower the people I love to continue building those systems is of main interest to me, amongst other things I want to do.

I can choose these ceilings because I’ve somehow fallen into a life that has shown me what distance and space mean; when they can be rendered relevant or irrelevant and how to do it. I’ve looked at so many and remember only the contours of the ceilings within the rooms I grew up in more than I do the colors of the walls, because it was likely the thing I looked at most with the computer screen second. In sterile environments I found spaces where people could come together, learn; I think the most purposeful extensions of myself I can build are the ones I put into what I create — because I’m reclusive and less often get to the part of knowing someone where they can read all this about me. I love the computer and design because it gave me freedom and agency, I love the suffering I’ve embedded myself in because it taught me how to radically retreat from repressive spaces — together, the tools to reshape them.

When I was in middle school I ripped out grid pages from our math notebooks, folded them and tore them apart, and constructed little cities made out of buildings and roads and mansions with fountains and farms. We colored and highlighted the houses and reassembled them, making up town names with every iteration and sometimes using pens & pencils as people going about their lives. I kept them all in a plastic envelope until it was so bulky that it would no longer close, so we divided the little grid buildings amongst ourselves. Tiny blueprints for a life.

I believe in other simple things: that because I’m 8,000 miles away from the people I love and have met so many wonderful people I truly care for that I unfortunately haven’t met in real life, systems of communication for when we are far apart matter just as much as the ways we convene in-person. I think the debate of authenticity and the duality of the online vs. offline self is skewed by people who have had overwhelmingly performative experiences with technology, which I cannot blame them for because technology must be reclaimed, for growing up it was only online that I began to discover myself and therefore know myself. It was seeds I learned from online networks of people who were open (maybe a bit too much) that enabled me to shift, for a moment, the way people around me thought. If we can design interfaces to be truthful & expressive, create spaces of our own so that we can begin interacting on these platforms with good faith, we could one day become no different from seeing our refracted, opposing self in a mirror. I believe in the computer because most of these ideas and revelations I have no one to tell, so I tell it to it, and it tells my story to someone else who finds this one day. All these ways I’ve preserved myself are under my control. My way of living this life splayed out open and visible is a nod to all the lives I read about that had formed me as I was growing up; I know there are others who choose to write and share this way, as their life’s default, and I continue it all because there are more ways than one to give yourself to others. What I choose to build is the essence of myself, and the essence of technology, like art and magic, is a promise of what we would like to see in the world. The story of screens is my story, at least a part of it, but certainly will be a huge part of how I am remembered. If I’m a redeemable object, so are the tools I use and extend to others.

Even if I lacked the luck of landing into technology in the ‘right way’ in a time where everything is tending towards it, my trait of obsessiveness and unapologetically leaning into that — whether there is some measurable or predictable or not, would carry me. Most of the people I admire very deeply share this same quality. This might be part of defining that ambiguous thing of purpose: what I care about is who I am, and because I care about it there is meaning towards it, especially if I guide this care and obsessiveness to the goal of improving the wellbeing of others.

The current goal is to find what is an appropriate ceiling to work towards and to immerse myself in local communities again. Living for local structures of care and building smaller, purposeful tools is important: while I believe in abundance, too many things are extended and scaled to the point of disconnection. Nihilism and isolation, which are clear things plaguing me from my writing and just reading me for a minute, are symptoms not just of the self but are pervasive byproducts from the world today. This is why the ceilings I was told to go for were individualistic, capital-oriented. A lot of this struggle is structural. It should not have been as hard as it was for me; much of the journey was an individual one.

One brick after another. A brick tossed. I’m laying the world I wanted, as I always have. I’m struggling with my imaginary against the complex interweaving of lives within insecure systems that my loved ones are stuck within. I’m imagining more than the ceiling, perhaps. Every space I’m in from now on, an open one; just as I built my life in this realm.

Work towards resilient, communal community structures and resources is radical and often disenfranchised by higher authorities. It’s also more interesting, unpredictable, and interconnected. Community fridges in the Philippines are often shut down and grassroots collectives often depowered & deplatformed for the highers’ fears of their resistance and criticism. Systems of care are fragile and fragmented; they are what truly need investment and maintenance. We live in spaces that discourage organizing and disconnect us so we cannot band together.
The corporate ladder, compared to longstanding cultural & community work–is a farce. It is the easy route, in truth. One is a newly-built monolith constantly destroying itself to sustain this goodness for a few; the other is how society has been sustained for thousands of years. It is easy to build a ‘good’ life for yourself. It’s much harder to build an interconnected one: a life that all the people you love can build towards together and find themselves around. It is simultaneously the easiest and most difficult thing to extend joy. There’s an in-between to all of this that doesn’t retreat to the “move to the middle of nowhere and start a coffee shop narrative”; this is where the random love letter to computing in the midst of the love letter to all else in life came in. I want the wonder in every moment I’ve made to be extended outwards, as the things of my own making have made myself. Why would I spend a single second working in a system I didn’t believe in? Why spend a moment working towards a structure that doesn’t serve the life you want to live and the people who you’d like to have in that life? How are you going to teach the people you love to continue building the world you wanted for them?

Without our choosing, we’re all subject to the ceilings that someone else has laid before us. All before me was all of humanity. All that I resent, desire, all that I am driven to move towards and change; reducible to human confluence and crossings and all our evolving self. The foundations and highs of the world I am in have been (not entirely, but close enough) worked at by man, and I suppose I can continue the act…

Stepping back, maybe it really doesn’t get easier. I find comfort in purpose. I want the challenge of building something beautiful and interconnected and extensible across the continents I have found home and love in. I used to say I wanted consistency and systems, and realize that this is the way of solving that. I want a home with a ceiling as high as we have collectively chosen, welcoming all the old and new and all who have yet to come under it.


this was written in one sitting and not proofread

Things I want to do

Reading Time: 5 minutes

Particularly things you can help me with:

1. A communal town on the internet. It is public except for a few pages, focused on collaborative generation of common goods by my friends and loved ones. Inspired by tiddlytown, but most spaces are general resources and goods. Together, we might maintain a little barn where you can get adoptables (circa 2000s web), a gift shop, a bulletin board, and a house that you can teepee.

In it, first, a library that is a collection of commonplace books: recipe books, photo books, journals (maybe some personal) etc. with several authors, inconsistently published (whenever we feel like it). My friends and I aggregating knowledge through context-specific blogs in the form of a library you can read.

(I have other thoughts about blogs like notebooks with more quirks in this tweet. This might take place elsewhere.)

2. WW(W) or Website Website (Website) is the title for my studio and research practice around websites. Aside from being the space for my writing and experiments about website, I want to foster community around it – perhaps through a mailing list or forum.

Experiments that I do here will be collaborative in nature.

  • The first prompt I’ll release is a website where every page is a room that can stand by itself. The index is a big grid of rooms, laid out like a blueprint/floor plan. Each page is named like a location in space. There might be several levels, or it might be in one giant blueprint. You might enter a dining room where you engage in a Javascript popup conversation with a waiter who does not know what water is. In another room, you will find a bug that is shaking. What is the point of this? I’m not sure, but there might be one. This is a bit similar to the communal town, so I might combine the two.
  • In relation to Brian Eno’s Music for Airports… what would Music for Browsing look like? An ambient album released only through Chrome/Firefox extension made for browsing the internet.
  • A series of interviews about people’s websites. We have lots of artist and musician interviews. Why not interviews about someone and the websites they’ve made?
  • A series of website tours.

3. With Kalo, an email delivery service with pigeons and fish. More coming soon.

4. A physical ambient radio (I touch on ambient radio later) with Maybe that you can lug around. Instead of music, it broadcasts ambient sounds from other people who have the radio. Maybe they’re at a cafe, at the beach, at the park, in class, in their bedroom, or their dog is barking really loud. You can add friends’ radio stations and create Clubhouse/Twitter Spaces like “call stations” where you can just pop in and out of each other’s space, like a casual Discord call.

It would need some form of noise cancellation and trigger to start working, I guess.

5. I want to design a new audio player (and maybe cheap field recorder). I’m imagining something that can take a USB C flash drive (or whatever DJs carry around), no media other than audio. Great scrubbing, some sort of playlist feature, EQ adjustments, way to flag audio, maybe a way to record audio. I’m interested in doing this as a challenge at designing not only interfaces, but hardware with unique mechanics. If we design speculative systems, why not also design the bodies that contain them?

6. Publication on alternate computing & networking histories and internet culture outside of the US. An archive and journal.

I suppose this would talk a lot about memes, but I’m interesting in crafting a local history of the internet. I think an interesting archive that could accompany this is the hyperlocal websites that existed back in the 2000s (or now!), like the site for a small business, local non-profit, or the blogs of people who lived at that time and wrote about the life around them. When I think of this, I think of all the lives that were lived in the internet cafes I frequented: the unique networks, relationships, and spaces that digital networking offered us. Weird subcultures, etiquette, and practices that emerged in specific spaces. A glossary, memorial, and tribute of some sort; a recounting of personal narratives.

7. Close.events: a seasonal selection of software, writing, games, interactive fiction websites, etc. about digital intimacy.

I made a website for it that is now vastly outdated.

8. Maybe is a press that I am building out (especially once I have things in my apartment again). Specifically the Ambient Release focused on ‘conscious listening’ and ’embodiment’.

  • An ambient radio station. Shows are mundane conversations, commutes, coffee shop chatter, parks, etc. — the sounds of friends and the people around us. I ran a test for this.
  • An ambient cafe. A picnic and nice cafe drinks focused on listening to the environment around us.
  • An ambient listening party. Gathering at a strange spot to listen to the natural environment. We might even stream it.
  • An ambient dinner party. A sensory dining experience (but I hate the stuff where your senses are actually deprived) where we have nice scented take-home menus. I DJ an ambient mix throughout.
  • A collection of amateur field recordings.
  • A workshop about how to field record.
  • A workshop about listening.
  • A mystery cassette exchange.
  • To the maybe.press philosophy, any other series of engagements/prompts/art that might rise from this.

9. A rave.

10. To revive Girls.ph, ideally in newsletter form and the loose IG stories we were doing. I think there is value in documenting what my friends and I had loved as communities seem to gather around us — it’s creating a space for ourselves in the world. Only good things have arisen from being vocal about what mattered to us. It naturally draws the right people in.

11. Finish my ambient EP.

12. Lots of talks with Developh.

13. My paracosm wiki has been an on-off effort for the past decade and I want to publish it and create frameworks around them. It currently lives on a private TiddlyWiki instance, but I want to share it someday.

14. I’m working on compiling entries from this blog and others in an artist’s book. I’ve been loosely working on it for months but probably won’t be serious about it until someone really motivates me to do it or I secure some type of funding/deal for it. I don’t think it’s interesting because of the writing, but because of the content and context — and because I’ll design the shit out of it. One day, we’ll look back at the blogs of this era with a particular kind of fondness and sensibility for what it was like to grow up under the conditions I did.

On what already exists

  1. Updating engine.lol and formally publishing it on itch.io, and doing more work around it. I love the tool but have been a bit paralyzed, haha.
  2. I’m working on an idle-ish incremental browser-based gardening game that I teased a bit through Instagram. This will be the next big thing I release.

On the larger-scale

My long-term goal is to turn Developh into a community space in Manila. I want to create a library and community center that holds classes and events and small exhibitions, with a nice press and studio space to host residencies and the like.

I want to be the type of person that always creates communal spaces. From my new apartment in San Francisco to everything else in life I create: once I’m settled, this is 100% an invitation to come over and peruse my books and collections so we can sit down and learn from each other, and I can cook you a meal.

I want my whole life to be about creating spaces where people can create, so they can create the spaces they need and the people they love need, and so on and so forth. I want to constantly create worlds.

If you are interested in any of these ideas

I want to talk. hotemogirlfriend at gmail, DM me on Twitter, or 4752091571 ( I can only text if you have iMessage because my carrier sucks, try other methods if you’re not Apple please, sorry ! )

Last updated: 10/1/2022

Initially published: 10/1/2022

October Blog Post

Reading Time: 3 minutes

Accept there are no more happy stories I can tell at this point.

  • I’ve moved to San Francisco and there is now a roof over my head. The late afternoon sunlight falls so serenely on the walls here… blanketing it in color with softness I thought I would never see again. On the way to Pier 80 last weekend I watched my shadow rise and fall on the wall of a warehouse, I saw the sky so pink and helpless.

    I’m resting against an enveloping warmth and this time only holding myself, and this time all I ever needed was to hold myself. When I cannot see the source of something, it might just be coming from me.
    • The sun colors the most mundane buildings in a most sacred way here.
      But is anything here abandoned, truly?
  • To obscure tenderness and neediness is the weakest thing we can do. I owe all of myself and all my being to another, for others to support me (as much as I hate that I want this) and for all my life to support humanity. If no one holds me I can hold them. If no one holds onto this world I can press it together.
Image
  • Looking at myself, I wish I had more good things to tell my friends. I always seem like I’m dying. Might as well…
  • For the next two weeks I’m engaging in the practice of drinking water to feel full.
  • At the end of the world, there was only me.
  • Thinking about many beautiful things that I want to make and follow-up on that I can’t really do right now… people, places, experiences, things from my own hands—when I can’t even take something from this body and put it out there I just end up withering. I sit at this desk to work for hours and I stand and my vision goes so white I almost black out.
  • When people build systems or structures to support more than themselves, to outlast themselves, to say: every brick you walk over I have tried to place, and every brick you might walk over next I directed them all; to say: I trust that this architecture be carried over by someone who might love you better; to say: I recognize all before that has brought us here from every tool that I lay down and every path you have chosen; to say: this is an extension of how I might carry you in this world. To say: this is a world I have loved for you, because I love you.
  • But is wording care and love this way too abstract and distant? In the way that the words seem empty and meaningless and you want to hear some more direct truths: I’ll spend time with you, I’ll do this with you this frequently. We like that more than I love you that has become an empty word. I for one, love empty promises. I love the ghosts of all the passing, and maybe even earnest, declarations of care that have never been followed through. I think every failure of humanity is poignant. I think what we haven’t followed through speaks more to ourselves than what we’ve made. In a life of millions of possibilities, what you’ve abandoned gives more context to you than what you have gone through.
  • This year I am again spending December alone—which I’ve done since 2019…
  • I outlive so many things,
  • so many things are going to outlive me.
  • Resenting so many things again about this body, about this life I have chosen, about all that I do that does not give enough to the world that it exists in.
  • So can I make something of my own and live in it?