Author: Chia

Short Answers

Reading Time: 3 minutes

This is my 3rd attempt at applying for the Kleiner Perkins Fellowship, and my public responses to their two 250-word prompts.

What impact do you want to have on the world and why? 

Like many, technology radically changed my life’s trajectory. From 40 cent/hour computer cafes to make Neopets petpages, designing (while in the closet) for Manila’s Pride Festival, and gathering people to create silly things on the web with me––I’m now the first of my high school’s history to leave the country for an Ivy League where I design and teach other Filipinos at night. Technology’s ability to draw out creation and make it ubiquitous made me, and so I make it.

In a vacuum, this exists. In truth, Silicon Valley casts a shadow on my Philippines and many others. Its exploitation of labor, instigation of political turmoil, rising issues in digital extremism etc. render the third world a testing grounds. Here, there is no ‘investing in people’––there is little tangible trust in my countrymen as builders beyond Fiverr or Accenture. In short, “men in Silicon Valley shape our tools, and then the tools shape us.”

With co-creation and intersectionality, I want to fundamentally restructure how technology is accessed, taught, and discussed culturally. 1. Internationalization, accessibility, intentionality with markets, 2. contextual, indigenous tech drawing from rich histories even if ’emerging’, 3. more role models than Mark Zuckerberg (as I was taught), or their dissolution as a whole. Beyond utility, also exposing people to the poetics and intimacy of the web––this is what drives people to create. In my early career, I’ve defined this as working with tools/platforms for creators. Later, this might look like working with schools or community spaces. Always, it is building with people.

In essence: to create radical, poetic things with and for the communities and people I love.

  • To see my research/thoughts on digital extremism, check out my interactive essay: The Punishing of the Philippines.
  • Great question as always where I have the same answer but an evolving idea of process/how to get there. Longer piece on this in my blog, soon…

Describe your most meaningful experience(s) and why they matter to you. 

  • Developh (developh.org), the community I founded when I was 16 to just code games with my friends that has now helped bring thousands of young Filipinos into tech and has brought me lifelong friends. What I learnt about programming yes, but moreso politics, operations, equality, systems, etc. The metrics of reaching millions of people through our campaigns, convening thousands in our newsletter helps––but it’s the 1:1 connections and avenue in which I met my closest friends that I especially treasure. It’s been three years since I’ve been to the Philippines and it’s harder to feel ‘useful’ when working on this remotely, but when I wonder why I build or create, I open Discord or scroll through our notes and remember why.
  • Finishing a map for my paracosm Etherest, a fictional world I began as a kid-turned-lifelong worldbuilding project that I’m making an encyclopedia out of. I’ve filled over 40 notebooks with drawings, maps. sketches, and outlines of little stories and arcs on it. Imagining, thinking, and reflecting in isolated systems has let me develop frameworks and systems for the world at large.
  • Explosions at the Sky at sixteen with my best friend (artists never come to Manila), holding their hand; a seemingly cliche concert moment that drove me to seek how to immortalize and explain what is ineffable. After this, I fell into music writing, working with the DIY scene, and playing with the idea of design in between service and art––teaching me invaluable things about craftsmanship, art, and community.
  • Every time I teach.

You can see my answers submitted to the previous application cycle in 2021 here, and my responses to the 2020 Fellowship here.

Making for myself

Reading Time: 5 minutes

On a weeklong Thanksgiving Break I quit nearly everything and decided to try and start saving myself.

More specifically, I’ve been trying to grapple with my relationship with making and also ‘test’ myself to see if I was still comfortable just… creating. I’ve been feeling a lot of things that have no clean resolution, and whenever I felt this way previously I would sit on my desk and glance to-and-from the clock, until I would have some output I was proud of. And that was euphoric, almost.

1 – all the funerals for my past selves

a zine on knowing myself
3 essays, 32 pages, ~4.3k
pdf booklet

How do we remember people? I wandered around Grove Street Cemetery from 4AM on Sunday to find some answer to this. It is a straight and short walk from my apartment. Most epitaphs defined these people by their jobs or relationships – do I have the latter? Once bench read “what you leave behind is not what is engraved in stone monuments, but what is woven into the lives of others.” For the past decade, my life’s value has centered on what I create. Artifacts where I sometimes misguidedly deemed myself some martyr in service of others trying to prove that what I say, write, design, or code. A decade or so of self-commodification and ensuring that I present myself palatably. Where did I go? / All my fears are circling back. One of the essays touch on the fears I had as a teenager that I dismissed of that twisted view of design saviorism, this obsession with signaling my existence (and how much of that becomes self-performance, and what self-performance even constitutes), the violence of my constant reconstruction. / Another touches on dissociation and how underneath all this, I believe I need grief to function. Always need to lack something | contentment is an impossible, sick feeling | no good things have happened when I am making. / I just want a single witness to what I have become.

Other thoughts: I’ve been so fascinated with designing to multiply making & production but how much have we considered the end-of-life experience? How do we remember people?
(my nail polish is chipped…… thank you cashier at art store for not scanning half of the paper i bought for this and saying you like my aphex pin twin. i am thinking of u)

2 – if i fall into a very dense cloud, can i die?

a shitty comic, 15 pages
http://chia.design/cloud

Image

i dont know how to explain this one. i do believe that life is largely about extremes of suffering and happiness (and in experience, more of the former than the latter) and beauty best found in the smallness of the moments in between –– but when happens when you accept this stillness and joy and it is no longer enough? also very similar themes to the first.. identity crisis and all baby.

I don’t know how to draw comics and I have never made one before and u can tell. this was very fun though, and I think I will try to make more! I have been trying to make the most out of my Procreate purchase, tyvm

Other thoughts: i love clouds. i want to start like a lil newsletter exchange where people send in what the clouds look like where they are and u get a new cloud in ur inbox each day. dianne, you gave me that silly cloudwatcher’s book sometime in middle school back when I used to name everything I loved after clouds (one of my earlier websites – before we went by naming things after ourselves – was called cirrumilus! a mix of cirrus and cumulus! a genius name) and it has never left me since. If not on my sidetable, it’s tucked in some shelf/bag that will go with me wherever I venture.

There is no morale or finding in this piece. Somber listlessness is a relatively new feeling to me. When I was younger, I had trouble discerning the beauty in the mundane, especially as a product of my environment: sitting in my bedroom all day, three hour car rides to Catholic school, walking around the same streets and urban environments but never through neighborhoods––only ever through malls. I saw the world through screens again, but that only taught me how to think and how I *should* feel rather than me actually experiencing a moment, and in utter clarity and understanding, form some form of reaction myself. On a trip in another country, I broke down sobbing at the view on a train station that overlooked rural vastness and nothingness. My relationship with the world has changed since living alone; I look at the gloomy New Haven sky and flood with disbelief as I bask in something that I know I have no control over. I see flowers peeking at the slips of the sidewalks, kick over cigarette butts that fight for space with sprouses (just kidding, I pick them up and throw them), and in general am having a grand time amidst parking lots shared on Brutalism Appreciation Facebook groups as the sun blisters the pools of my arms.
And yet I am living through something that I never had, that I never dreamed of in my youth that almost seems so sacredly wondrous that it could fix me––but it’s not enough. It sounds reductive, but I was very confident that the sadness inside of me could be something easily fixed with some affinity for nature or some other ‘simple’ thing; growing up in Manila would be the perfect backstory, I join in chorus of plain aphorisms about living and all the quotes click. The main character is witness to so much beauty after some abyssal dread, they die accidentally and without choice –– punishing them for their thoughts at the moment of understanding, depriving them of the goodness left in the world. (This is my understanding of Tom Ford’s A Single Man.) Like once one reconciles with their grief, the story is over; they become someone consumed by this outlook that has driven their life, with no chance at enkindling themselves in the goodness present in the world.

Those are just wandering thoughts about what this comic (with all its poor sense of linearity, unplanned dialogue/writing) attempt to reflect. My favorite comics are Obelisk and Metronome, shamefully Andrew Hussie’s earlier work, Jon-Michael Frank, and Cate Wurtz’ work –– I’d love to be exposed to more!

3 – in threes

https://chia.design/inthrees

a little website to introduce random threes of myself and experiment with what lists as presentation looks like

Chia’s (deeper?) Car Seat Headrest cuts recommendations

Reading Time: < 1 minute

First, download the compilation. It’s about 3.7gb zipped entitled Car Seat Headass from my lovely little Google Drive: https://drive.google.com/file/d/1MZwTLmRdqqF769pFShtbL2zZ4egMVw7j/view?usp=sharing

Then, play from the Spotify playlist! Make sure you’re on desktop and are all set up with local files. youtube version coming soon maybe

Sourced from the following: The Brodster’s Will Toledo Discography, other albums not on Bandcamp (1, 2, 3, 4, Disjecta, Little Pieces, etc), selected 2020 traitincommon livestream compilations

shout out to will toledo for playing (what i want to believe in my delusional mind) my broken birds request on the 4/30/2020 livestream a day before my bidet. and much love to everyone who knows every album down to the color of the livestream ones lmao

please do not roast me i know some of these are not that deep

here’s the og flowchart i made sometime late november 2020 as a general introduction since a lot of people have been asking for it! i know i am not using the terms properly haha. right-click and open image in new tab for full size or click this

and pic (because asked about) is me meeting will at the 1traitdanger show in queens, ny sometime in feb 2020. i heard about the show on the day itself and hopped on a train from new haven to go see andrew and will 🙂